![图片[1]-Spitfire Audio Orchestral Swarm KONTAKT 喷火管弦 | 音色插件资源网-音色插件资源网](https://xdssyyw.com/wp-content/uploads/2019/07/5.jpg)
系统要求：PC/MAC
软件格式：KONTAKT格式
厂家：https://www.spitfireaudio.com/shop/a-z/orchestral-swarm/
大小：27.58 GB
时间：2018年6月26日
A new standard in orchestral sample library innovation, this will significantly expand your existing orchestral palette to include a huge variety of totally unique textures. As an alternative to just using straightforward long notes, this library draws upon the pointillistic effect of having multiple players perform short notes at random intervals to create an undulating swell of sound that can be performed in real time for inspiring results. Taking our Swarm approach, but adapted for the orchestra, it gives access to even greater detail by utilising the huge variety of articulations and playing styles of orchestral instruments and will give your compositions a liquid dynamic that dances alongside the picture. This library has been created exclusively in collaboration with Bleeding Fingers, and is featured in Blue Planet ii and Hans Zimmer/Radiohead’s collaboration “(ocean) bloom”.
A NEW ORCHESTRAL SOUND
This library is an innovative collaboration with Bleeding Fingers (Planet Earth II, Sons Of Liberty, Roman Empire: Reign Of Blood), who wanted to create this library to use for the BBC’s flagship series: Blue Planet II. Their concept was to record multiple players performing random short notes of the same pitch. The effect would be a granular “cloud” of notes – beautiful long sonic textures created from layers of micro-moments to be used in place of more traditional long notes; a perfect soundtrack to the oceanic goings-on as featured in the groundbreaking television show.
Now, we at Spitfire know this approach well – it was this technique that we use for our Swarm libraries, and this opportunity pushed us towards a new territory – to utilise the power of an orchestra in this Swarm technique. We delivered an initial library quickly and in secret for the team at Bleeding Fingers to use exclusively for the show. Hans Zimmer and Radiohead even went on to use it as part of their “(ocean) bloom” collaboration. We then later returned to the studio to capture even more with the orchestra, including short notes and expanded techniques and layers, to create the most complete tool for media composers.
If you tire of static sounding longs, or have fallen out of love with shorts ostinatos, this new textural approach to orchestral sampling will add life to your arrangements. Join the pioneers of modern concert music and scoring to explore a new league of orchestral compositions.
AN OCEAN OF VARIETY
The library consists of various string, brass and woodwind ensembles, recorded individually and with the Swarm pointillistic approach, using techniques most idiomatic for those instruments. Many of these sounds have never been sampled before. From bassoon ‘pops’ to horn ‘flutter tongues’, we’ve taken a wide range of techniques and combined them via the Swarm approach (where players each randomly play short notes to create a beautifully random cloud of sound) to give a vastly increased sound palette to your existing orchestra. The included individual ensemble shorts also further extend your options, enabling you to add a rhythmic element to your work. In addition, the provision of two reverbs on board – a tight ‘stage’ sound and a longer more lush ‘hall’ sound – makes blending the Swarms with your existing orchestral libraries a breeze.
THE BRITISH GROVE SOUND
We’ve applied the same no-expense-spared approach to these sessions as any other Spitfire library, this time at one of the most well-stocked and highly-maintained studios on the planet: British Grove. Founded by Mark Knopfler, British Grove is one of the few large-scale studios to have been built in the new millennium, and its unique vision to combine state-of-the-art technology alongside legendary original pieces (it owns two original and fully-restored EMI desks as used by Sir George Martin and The Beatles) has it marked out to leave behind a noteworthy legacy.
The signal path on the day featured the Neve 88r console, utilising both the onboard pres as well as the Broadhurst Gardens pres for room mics and the EMI TG console pres for some of the mid room mics. Transducers included: Royers, Ela M, Neumanns and Coles.
The recording stage is a medium-sized, semi-reverberant room allowing for precise detail but with enough energy to maintain a character and fullness.
HOW IT WORKS
KEY STATS
•25565 SAMPLES
•50.1 GB UNCOMPRESSED .WAV
•29.7 GB DISK SPACE REQUIRED
•59.4 GB DISK SPACE REQUIRED DURING INSTALL
一个新的标准在管弦乐样本库创新，这将大大扩展您现有的管弦乐调色板，包括各种各样的完全独特的纹理。作为一个替代使用简单的长音符，这个库利用点数效应，使多个玩家在随机的时间间隔执行短音符，以产生一个起伏的声音，可以实时地执行，以激发灵感的结果。以我们的群体方法，但改编为管弦乐队，它利用更多的发音和演奏风格的管弦乐乐器，甚至更大的细节，将给你的作品一个液体动态舞蹈旁边的图片。这个图书馆是专门与流血的手指合作创建的，它的特色是蓝色星球II和汉斯·季默/无线电司令合作的“（海洋）盛开”。
一种新的管弦乐声音
这个图书馆是一个创新的合作与出血手指（地球地球II，自由之子，罗马帝国：血液的统治），谁想创建这个图书馆使用英国广播公司的旗舰系列：蓝色星球II。他们的想法是记录多个玩家执行相同音高的随机短音符。效果将是一个颗粒的“云”的音符-美丽的长音色纹理创建从微观层面的层来代替更多的传统的长音符；一个完美的音轨，以海洋作为一个突破性的电视节目的特色。
现在，我们在SpIsFi火上很好地了解了这个方法——这是我们为我们的群库所使用的这种技术，并且这个机会把我们推向了一个新的领域——利用这个集群技术中的管弦乐队的力量。我们为秘密流血队提供了一个最初的藏书室，专门用于表演。汉斯·季默和RealHead甚至继续使用它作为他们“（海洋）盛开”合作的一部分。然后，我们回到工作室，捕捉更多的乐队，包括简短的笔记和扩展的技术和层，以创建最完整的工具，为媒体作曲家。
如果你厌倦了静态发声的渴望，或者已经爱上了短小的奥斯汀，这种新的弦乐取样方式将给你的安排增添活力。加入现代音乐会音乐的开拓者和得分，探索一个新的管弦乐队组合。
变化的海洋
该图书馆由各种弦乐、黄铜和木管乐团组成，分别用群组点阵法记录，使用这些乐器最惯用的技巧。许多这些声音以前从未被取样过。从巴松管’ POPs ‘到喇叭’颤动舌’，我们已经采取了广泛的技术，并结合他们通过群方法（其中每个玩家随机播放短音符，创造一个美丽的随机云的声音），给你现有的管弦乐队大大增加了声音调色板。包括个人集成短裤也进一步扩展您的选择，使您可以添加一个有节奏的元素到您的工作。此外，在船上提供两个混响-一个紧凑的“舞台”声音和一个更长的郁郁葱葱的“大厅”声音-使混群与你现有的管弦乐图书馆一团糟。
英吉利海峡
我们已经应用了与其他SPIRTHORD库相同的无费用免除方法，这次是在地球上最充足和高度维护的工作室之一：英国Grave.由马克·诺弗勒创立，英国格罗夫是为数不多的在新千年建造的大型工作室之一，其独特的愿景将最先进的技术与传奇的原创作品结合在一起（它拥有两个原封不动的、完全恢复的EMI写字台，正如George Martin爵士所使用的。披头士乐队（DeBeTeas）已经明确指出留下了值得注意的遗产。
在白天的信号路径NeVE 88 R控制台，利用车载PRS以及BulHurST花园PIES的房间麦克风和EMI TG控制台预置一些中间房间的MICS。换能器包括：罗杰斯，Ela M，纽曼斯和科尔斯。
录音台是一个中型、半混响室，允许精确的细节，但有足够的能量来保持一个字符和丰满度。
它是如何工作的
关键统计数据
25565个样品
50.1 GB未压缩.wav
需要29.7 GB磁盘空间
安装期间需要59.4 GB磁盘空间
