奇妙 2021年4月15日| 569兆字节
印象派是一种艺术运动,其发展于19世纪末和20世纪初,当时作曲家和艺术家开始创作旨在通过抽象和暗示而不是公开的精确和细节来唤起语气和情绪的作品。在音乐上,作曲家开始探索非传统的方式和丰富多彩的和声,以唤起图像和情感共鸣。
许多当代作曲家都继续采用这种方法,他们的作品在许多电影作品中都找到了自己的家,这毫不奇怪,这自然地补充了电影的情感和音调潜力。借助现代技术,现代印象派作曲家现在能够探索不同的录音技术,并探究特定钢琴的特殊品质,从而进一步增强情绪和氛围。
钢琴家兼制片人托德·布罗兹曼(Todd Brozman)(骄傲的生物,月亮休闲公司)利用多架钢琴(L 1916型施坦威大钢琴,1988年的萨米克立式钢琴和风化的1922年风起的风琴演奏的钢琴)以及各种录音技术来探索印象派。和现代的解释。许多样本是相互配合并互为补充的,组成了和谐的层次感和并列感。该包为想要通过自然发展和风格凝聚力来开发基于钢琴的乐谱的制作人,或寻求循环和口音以增加音调和色彩的音乐家提供了无穷的选择。
FANTASTiC | 15 April 2021 | 569 MB
Impressionism was an artistic movement that developed in the late 19th and early 20th century as composers and artists began to create work that sought to evoke tone and mood through abstraction and suggestion rather than overt precision and detail. Musically, composers began exploring nontraditional modes and colorful harmonies to conjure imagery and emotional resonance.
Many contemporary composers have continued this approach, and their work has unsurprisingly found a home in many a cinematic score – serving as a natural compliment to a film’s emotional and tonal potential. With modern technology, modern impressionist composers are now able to explore different recording techniques and lean into the particular qualities of a given piano to further enhance a sense of mood and atmosphere.
Utilizing several pianos (a Model L 1916 Steinway grand, a 1988 Samick upright, and a weathered 1922 Aeolian player piano) along with various mic’ing techniques, pianist and producer Todd Brozman (Proud Creature, Moon Casual) explores impressionism from both a traditional and modern interpretation. Many samples were composed in conjunction with one another and in complimentary keys, allowing for harmonious layerings and juxtapositions. This pack provides endless options for producers looking to develop a piano-based score with natural development and stylistic cohesion, or musicians seeking loops and accents to add moodiness and color to a track.
home page:https://splice.com/sounds/sonic-collective/impressionist-piano