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使用Live的新设备创建更大胆的声音。通过大量工作流程改进来保持发展。借助Push，可以使笔记本计算机与计算机的距离更远。使用精选库来建立声音。并具有无缝内置的Max for Live的无限潜力
Live 11的新增功能
创建完美的
录音效果进行录音和合成
Live将音频或MIDI演奏的多个通道组织成单个的通道。选择每场表演的最佳时刻，并将它们结合起来，打造出完美的作品。或通过将库中的随机样本拼接在一起，以新的方式进行声音设计。
链接轨道编辑
链接两个或更多轨道以同时编辑其内容。这使得与多位音乐家的多轨乐器或表演的编辑变得轻松快捷，同时使所有音轨都保持及时。此功能也适用于MIDI轨道。使用支持MPE的控制器，
为音乐
增添色彩感。插入支持MPE的控制器，并立即为和弦中的每个单独音符增加弯曲度，滑动度和压力。添加细微的表情变化，在和弦之间变形并创建不断变化的声音纹理。
什么是MPE？
MPE代表MIDI和弦表达。这种使用MIDI的方式使具有MPE功能的设备可以实时控制每个音符的多个参数，以实现更具表现力的乐器演奏。
试用新设备
混合混响
混合混响结合了卷积和算法混响。将您的声音放置在任何空间中，从准确的现实生活环境到无视物理现实的环境。使用算法方面来添加控制和调制混响尾部，使其与卷积端并行或串联运行，或者像用于实时声音设计的乐器一样演奏混合混响。
频谱谐振器
将输入音频信号的频谱分成多个部分，然后通过频率或音符以细微或激进的方式拉伸，移动和模糊结果。MIDI侧链输入还使音乐家可以处理按键中的素材，甚至可以像演奏和弦乐器一样演奏设备。
频谱时间
将声音转换为部分声音，并将其馈入基于频率的延迟，从而产生金属回声，频移和混响效果。冻结功能可捕获并保留一段音频-无论是自由运行还是与节拍一起及时播放-以获得结结，毛刺和淡淡的效果。
PitchLoop89
通过与Robert Henke合作并受Publison DHM 89（早期数字效果处理器）的启发，使用此Max for Live音调移位设备创建抖动故障效果，延迟的数字闪光和古怪的颤音。这是一种灵活的工具，可以在录音室中或舞台上进行即时实验时为声音添加角色。
受自然启发
与狄龙·巴斯坦（Dillon Bastan）合作创造了六种有趣的乐器和效果，它们以自然和物理过程为灵感。
在舞台上做更多的工作
Tempo Follow
Live会根据传入音频实时收听并调整其速度，使其成为乐队的动态组成部分，而不是每个人都必须遵循的速度来源。当您进行DJ播放时，您甚至可以将Live变成一个速度同步的FX盒。
宏快照
存储宏的状态以供以后调用–非常适合在演奏过程中为您的声音或生成和下降创建即时变化。
机架改进
配置您的机架，使其具有1到16个宏。使用随机按钮将宏的状态随机化。将此控件映射到MIDI并实时执行剧烈变化，以使您的听众和您自己感到惊讶。
不可预测的
音符机率
设置音符或鼓声敲击发生的可能性，并让Live产生随时间变化的惊人图案变化。
速度几率
定义模式动态中细微，人性化变化的速度几率范围。
跟随动作做更多
现在可以将“跟随动作”链接到片段长度，从而更快地创建有趣的片段序列。场景跟随动作可让您创建不断发展的安排。您还可以将“跟随动作”设置为跳到特定剪辑并全局启用和禁用“跟随动作”。
使用新声音工作
新乐器
这三个乐器包是与Spitfire Audio合作创建的，可将动态音室合奏纹理带到任何制作中。
Live 11.0发行说明
https://www.ableton.com/en/release-notes/live-11/
经过测试，在maOS Catalina和Big Sur上工作
注意：
您可以使用以前用于激活版本10（同一台计算机）的Authorize.auz，
然后阅读我的软件包中的“安装说明”
Create bolder sounds with Live’s new devices. Stay in the flow with a multitude of workflow improvements. Do even more away from the computer with Push. Build your sound with a curated library. And get the unlimited potential of Max for Live, seamlessly built in.
What’s new in Live 11
Create your perfect take
Take recording and comping
Live organizes multiple passes of an audio or MIDI performance into individual takes. Pick the best moments of each performance and combine them to create your perfect take. Or approach sound design in a new way by splicing together random samples from your library.
Linked-track editing
Link two or more tracks to edit their content simultaneously. This makes editing multi-tracked instruments or performances with multiple musicians easy and fast whilst keeping everything in time across tracks. This feature also works for MIDI tracks.
Add more feeling to your music
Use your MPE-capable controller
Plug in your MPE-capable controller and immediately add bends, slides and pressure for each individual note in a chord. Add subtle expression variations, morph between chords and create evolving sonic textures.
What is MPE?
MPE stands for MIDI Polyphonic Expression. This way of using MIDI allows MPE-capable devices to control multiple parameters of every note in real time for more expressive instrumental performances.
Experiment with new devices
Hybrid Reverb
Hybrid Reverb combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.
Spectral Resonator
Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument.
Spectral Time
Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. The Freeze function captures and holds a slice of audio – either free-running or in time with the beat – for stuttered, glitched and washed-out effects.
PitchLoop89
Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 – an early digital effects processor. It’s a flexible tool to add character to sounds in the studio, or for in-the-moment experimentation onstage.
Inspired by Nature
Six playful instruments and effects created in collaboration with Dillon Bastan that use natural and physical processes as their inspiration.
Do more on stage
Tempo Following
Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. When you DJ, you can even turn Live into a tempo-synced FX box.
Macro Snapshots
Store the state of your Macros for later recall – perfect for creating instant variations to your sounds or builds and drops during performance.
Rack improvements
Configure your Racks to have between 1 and 16 Macros. Randomize the state of your Macros with the randomization button. Map this control to MIDI and perform drastic changes in real time to surprise your audience and yourself.
Be unpredictable
Note chance
Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time.
Velocity chance
Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns.
Do more with Follow Actions
Follow Actions can now be linked to the clip length, making it faster to create interesting sequences of clips. Scene Follow Actions let you create evolving arrangements. You can also set Follow Actions to jump to specific clips and enable and disable Follow Actions globally.
Work with new sounds
New instruments
Created in collaboration with Spitfire Audio, these three Instrument Packs bring the dynamic chamber ensemble textures to any production.
Live 11.0 Release Notes
https://www.ableton.com/en/release-notes/live-11/
Tested, working on maOS Catalina & Big Sur
