[影视钢琴音色]Fracture Sounds Glacier Keys KONTAKT（4.63GB）

[影视钢琴音色]Fracture Sounds Glacier Keys KONTAKT（4.63GB）

Fracture Sounds Glacier Keys KONTAKT-DECiBEL| Samples » Kontakt| 4.63GB

我们备受追捧的“人物钢琴”系列的延续。在华丽的Steinway D演唱会盛大演出中，闪烁着钢琴的谐音。在具有多个麦克风视角的音乐厅中进行深度采样。专为免费的Kontakt Player打造，同时考虑了现代电影和电视作曲家。

Glacier Keys是一组钢琴谐音，在Steinway D音乐会隆重演出时进行演奏，并在现代音乐厅环境中以惊人的细节采样。通过将手指轻轻地放在琴弦的中央，在琴弦的中音音调之上产生八度音调来产生谐波，从而产生类似玻璃的美丽音色，非常适合新古典音乐，环境音乐和极简音乐，或任何其他音乐。在这种情况下，您需要一架比平时更令人回味，闪烁的音色的钢琴。

尽管这是一个“扩展技术”库，但我们花了额外的精力使其变得尽可能可玩。您可以用与普通钢琴相同的方式来处理它-它经过编程，以使中间C听起来像中间C，即使产生音符的实际琴键在下面是八度。我们还将近距离麦克风放置在比正常位置更靠左的位置，以使立体声图像位于发声中音C的中心。

该乐器是在现代音乐厅环境中录制的，使用了14个顶级架子麦克风（来自DPA，Coles和Neumann的精选麦克风）放置在钢琴周围，然后又放回了房间。通过这些麦克风信号，我们创建了3种易于使用的混音（近，中和远），使您可以灵活地制作满足您需要的自定义混音，无论您想要干的“录音室”声音还是宽敞的声音，坐在混音的后面。

机械声音与共鸣
与其他钢琴库一样，我们付出了更多的努力，并在音符本身之外捕捉了乐器的细节。您可以控制释放键并使用延音踏板时产生的机械噪音的数量。对于该库，我们设计了一种隔离踏板向下共鸣的方法，这意味着我们能够控制踏板向下时产生的共振量。这也意味着，在已经握住音符的情况下踩下踏板时，会产生同声共鸣，而不是仅在踩下踏板后弹奏的音符。

大气层
再次，我们带回了我们流行的“大气层”-可演奏的打击垫和纹理与原始钢琴完美地融合在一起。

“ Glisten”层是由经过加工的金属乐器制成的垫，具有闪烁的效果。

“ Frost”层是通过处理原始钢琴录音而形成的不断演变的反向粒状纹理。

“解冻”层是通过电吉他反馈创建的平滑垫，并通过FX链进行处理。

可以使用图层混合器拨入这些图层以进行品尝。此外，可以使用“大气强度”刻度盘来控制这些图层的全局“强度”，或者使用调制轮实时进行自动控制。

特点
-在施坦威D型演唱会上演奏钢琴谐音。
-精美细腻，电影般细腻的声音。
-在3个可混合麦克风位置在现代音乐厅环境中录制。
-3个自定义声音设计氛围层。
-可控制的琴键噪音，踏板噪音和共鸣。
-简单易用的界面。
-完全支持NKS-与Komplete Kontrol硬件一起使用。
-4.9GB的下载大小（从9.5GB的样本池压缩的NCW）。
-在免费的Kontakt Player（v5.6.8或更高版本）中运行。无需其他采样器软件！

A continuation of our sought-after ‘character pianos’ collection. Glistening piano harmonics, performed on a gorgeous Steinway D concert grand. Deep sampled in a concert hall with multiple microphone perspectives. Built for the free Kontakt Player with the modern film and TV composer in mind.
Glacier Keys is a collection of piano harmonics, performed on a Steinway D concert grand and sampled in incredible detail in a modern concert hall setting. Harmonics are produced by gently placing a finger on the middle of the string, producing a pitch an octave above the natutral note of the string, resulting in a beautiful glass-like timbre, perfect for neo-classical, ambient and minimal compositions, or any situation where you need a piano with a more evocative, glistening tone than usual.

Although this is an ‘extended technique’ library, we’ve spent extra care making it as playable as possible. You can approach it in the same way as a regular piano – it is programmed so that middle C sounds like middle C, even though the actual key that produced the note was an octave below. We also positioned the close mics further left than normal, so that the stereo image is centered around the sounding middle C.

The instrument was recorded in a modern concert hall environment using a selection of 14 top-shelf microphones (from DPA, Coles, Neumann) placed around the piano and further back in the room. From these microphone signals we created 3 easy-to-use mixes (Close, Mid and Far), giving you the flexibility to craft a custom mix which fits your needs, whether you want a dry ‘studio’ sound, or a spacious sound which sits at the back of a mix.

Mechanical Sounds and Sympathetic Resonance
As with our other piano libraries, we have gone the extra mile and captured details of the instrument beyond the notes themselves. You can control the amount of mechanical noise produced when the keys are released and the sustain pedal is used. For this library, we devised a method of isolating the pedal-down sympathetic resonance, meaning we are able to offer control over the amount of resonance produced when the pedal is down. This also means that sympathetic resonance will be produced when the pedal is pressed while notes are already held, instead of only notes which are played after the pedal is pressed.

Atmosphere Layers
Once again, we have brought back our popular ‘Atmosphere Layers’ – playable pads and textures which blend together with the raw piano beautifully.

The ‘Glisten’ layer is a pad made from processed metallic instruments, giving a shimmering sustain.

The ‘Frost’ layer is an evolving reversed granular texture, created by processing the raw piano recordings.

The ‘Thaw’ layer is a smooth pad created from electric guitar feedback, processed through an FX chain.

These layers can be dialled in to taste using the Layer Mixer. Additionally, the global ‘intensity’ of these layers can be controlled using the ‘Atmosphere Intensity’ dial, or automated in real-time using the mod wheel.

Features
– Piano harmonics performed on a Steinway Model D concert grand.
– Beautifully delicate, cinematic and nuanced sound.
– Recorded in a modern concert hall environment, with 3 mixable microphone positions.
– 3 custom sound-design atmosphere layers.
– Controllable key noise, pedal noise, and sympathetic resonance.
– Simple and user-friendly interface.
– Full NKS support – works with Komplete Kontrol hardware.
– 4.9GB download size (NCW compressed from a 9.5GB sample pool).
– Runs in the free Kontakt Player (v5.6.8 or later). No additional sampler software needed!

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