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DECiBEL团队| 2021年2月1日| 944.7兆字节
英国制片人El。近年来，Train一直在Future Beats领域引起轰动，他将Hip Hop，Soul，RnB和Trap融合在一起，使他在Kitsune，Dark than than Wax和Jakarta Records等唱片公司发行了专辑。在这门课程中，他展示了如何使用Loopmasters套件中的示例从头开始建立质量安排，并主要在Logic Pro中使用工厂乐器和效果工作，所有技术都可以轻松转移到其他DAW。
从节拍开始，El。训练使用Maschine排序各种打击乐声音，以弄清他的初始音色。然后，他放下主弦钩，辅以低音贝司线，形成音轨的主要旋律元素。然后，用旋律编织一拍打的小鼓和小军鼓，以结束凹槽。
El。然后，Train将一首无伴奏音乐导入到Serato样本中，他用它来分割人声，并创建有趣的印章和乐句，这些乐句和乐句被零星地排列到编曲中。处理完人声后，他开始制作歌曲，并制作前奏，主体和尾声。在课程结束时，他提供了使用贝司和倒置和弦以实现流畅和声的一些最终技巧。
注册后，您可以立即访问流式教程，课程中的项目以及Loopmasters的额外样本包。在注册El的示例之前，请先检查示例模块。Train悠闲而翔实的风格，传授了宝贵的技术和灵感，开启了您自己的Future Beats＆Soul制作之旅。
第1单元-与打击乐
El一起使用。火车使用Maschine中的模式音序和在音轨上的oneshot编辑来建立2个打击乐层，这构成了凹槽的初始基础。
第2单元-制作和弦挂钩
播放和弦即兴演奏，然后进行编辑和分层，以增加额外的深度和个性。
第3单元-添加Arp和字符串
与Logic的工厂采样器配合使用的是琶音，旋律和持续弦乐被添加到了凹槽中。
第4单元-构建鼓
Oneshots被编辑以形成节拍，并且踢，圈套器和拍手层都一起工作。然后对打击乐进行一些分组处理。
第5单元-创建Bassline
El。在贝司线上训练记录，在Logic的采样器中触发贝司oneshot。然后编辑MIDI，并应用一些音频效果处理和分层。
第6单元-使用无伴奏合奏
Serato样本将无伴奏合唱切成小块，此后将排成小段的片段排入凹槽并进行处理。
单元7-安排零件
凹槽向外扩展以形成前奏和2个小滴，并由桥部分隔开。然后添加了自动化和额外的合成器层。
第8单元-添加FX和打击乐
Realworld元素被添加到简介中以进行填写，而额外的鼓则用于在琴桥中增加节奏。
第9单元-制作Outro
添加了新的旋律，以创建经典的Outro ，并带有老式的淡入淡出功能。
第10单元-编辑
贝司线对贝司线进行一些细微调整，并附有避免潜在调音问题的提示。
第11单元-和弦钩说明
简要说明了轨道中使用的和弦以及如何创建和弦倒置。
单元12-演练和课程结局
El。火车签收并播放已完成的安排。
Team DECiBEL | 01 February 2021 | 944.7 MB
UK Producer El. Train has been making big waves in the Future Beats scene in recent years, with his fusion of Hip Hop, Soul, RnB and Trap landing him releases on labels like Kitsune, Darker than Wax and Jakarta Records. On this course, he shows how to build up a quality arrangement from scratch using samples from his Loopmasters pack and working mainly with factory instruments and effects in Logic Pro, with all techniques being easily transferrable over to other DAWs.
Starting with the beats, El. Train layers up various percussion sounds, sequenced using Maschine, to get his initial groove worked out. He then lays down the main chords hook, which is complemented by a subby bassline, to form the primary melodic elements of the track. A syncopated kick and snare break is then woven with the melodies to finish off the groove.
El. Train then imports an acappella into Serato Sample, which he uses to slice up the vocal and create interesting chops and phrases that are sporadically sequenced into the arrangement. After processing the vocal, he starts building the song, constructing the intro, main body and outro. He ends the course with some final tips on working with bass and inverting chords to make flowing harmonies.
Signing up gets you immediate access to the streamed tutorials, plus the project from the course and a bonus pack of samples from Loopmasters. Check out the sample module before signing up for an example of El. Train’s laid back and informative style, imparting valuable techniques and inspiration to kick start your own Future Beats & Soul production journey.
Module 1 – Working with Percussion
El. Train uses pattern sequencing within Maschine and oneshot editing on an audio track to build up 2 percussion layers, which form the initial basis for the groove.
Module 2 – Making the Chords Hook
A chords riff is played in and then edited and layered to add extra depth and character.
Module 3 – Adding Arp & Strings
An arpeggiated melody and sustained strings are added to the groove, working with Logic’s factory sampler.
Module 4 – Building the Drums
Oneshots are edited to form the beat, with kicks, snares and clap layers all working together. Some group processing is then applied to the percussion.
Module 5 – Creating the Bassline
El. Train records in the bassline, triggering a bass oneshot inside Logic’s sampler. The MIDI is then edited and some audio effects processing and layering applied.
Module 6 – Working with an Acappella
Serato Sample is used to chop up an acappella, after which the chops are sequenced into the groove and processing applied.
Module 7 – Arranging the Parts
The groove is expanded out to form an intro and 2 drops, separated by a bridge section. Automation and extra synth layers are then added.
Module 8 – Adding FX and Percussion
Realworld elements are added to the intro to fill it out, whilst extra drums are used for additional rhythms in the bridge.
Module 9 – Building an Outro
A new melody is added for to create a classic outro, complete with an old school fadeout.
Module 10 – Editing the Bassline
Some slight tweaks to the bassline, complete with tips for avoiding potential tuning issues.
Module 11 – Chord Hook Explained
A brief explanation of the chords used in the track and how chord inversions are created.
Module 12 – Playthrough & Course Outro
El. Train signs off and plays the completed arrangement.
home page:https://www.producertech.com/staff-picks/181/future-beats-soul-production-techniques
