![图片[1]-Fiedler Audio Stage v1.1.0 / v1.0.2 [WiN, MacOSX] | 音色插件资源网-音色插件资源网](https://www.yinsebar.com/wp-content/uploads/2020/12/image-506.png)
WiN：R2R小组| 2020年11月13日| 16.9 MB
MAC：R2R小组| 2019年2月14日| 18.1兆字节
Fiedler音频在设定新标准方面享有盛誉。在Brainworx的bx_rooms的中心开发了革命性的混响算法两年之后，他们再次用舞台重新定义了声学增强的世界–该插件使用开拓性的立体声空间处理方法来制作出色的混音和母带，并使其出色。
舞台就到了！
简而言之，舞台就是在这里，使您的混音具有您在无数唱片中所听到的最终光芒和深度，并勾勒出您可能甚至不知道自己的声音所具有的固有特性。通过利用微妙的延迟，内部相位增强和调制技术，您现在可以毫不费力地强调任何自然录音或合成元素的自然深度和空间。结果是整体清晰度和感知尺寸的增加–所有难以捉摸的品质最终都会导致一种声音重量，而这种重量很快将成为音频工具包不可缺少的。
怎么可能呢？舞台背后隐藏着强大的心理声学算法，可为创新的声像和立体声改变控制提供动力，使工程师，声音设计师和电子音乐家能够以最小的努力和最大的精确度来雕刻其立体声图像。如果愿意，可以从左到右，从前到后，甚至对角线排列曲目；增强主人的氛围，或进行疯狂调制的效果。舞台可以做到！
空间操纵领域的多功能性新水平
舞台内部有四个创新模块，可让您使用立体声扩宽技术，例如哈斯效应，相位反转，M / S信号处理以及许多专有算法，可确保最大限度地提高信号的自然环境和立体声成分电位，同时保持相位相干性，并确保处理后的信号在单声道时不会崩溃。
从“输入”部分开始，“倾斜”控件提供了一种快速的方法来修复不平衡的立体声录音，而“ M / S”旋钮可以轻松地调节中音和旁音的比率。从那里开始，舞台的四个关键参数-平移，宽度，大小和反馈-提供了一种直观的方法来创建现代录音棚录制中常见的那种大规模立体声图像。通过更改这些参数，您可以有效地利用声音的三维特征，然后将它们向后推或将其推向混音。这不仅可以帮助您掩盖频谱的各个区域，还可以在混合中为每个单独的元素提供自己的空间。
精确定位单个轨道并构建完美的混音而又不损失动态范围从未如此简单。甚至舞台的默认预设也会立即为您的音乐增添实质和触感。试试看！除全景增强功能外，还提供各种创意效果，例如立体声镶边和旋转扬声器效果，所有这些效果非常适合乐器或人声。使用较高的“大小”设置，并提高吉他上的“反馈”参数，以获得老式的弹簧混响氛围，或者最大化LFO并将声音发送到外太空！
外观精美的界面
舞台还具有易于使用的界面，并为您的参数调整提供实时的视觉反馈。调整设置时，插件窗口中的两个动画字段将可视化所做的更改–不仅仅是听到差异；也看到它！对于那些需要更触觉的混音方式的人来说，GUI也已针对触摸屏进行了优化-不再需要使用鼠标的小旋钮和容易出错的按钮摆弄！
►功能
- 从单音轨到全混音，多种音源的多功能声学增强
- 出色的立体声增强功能，可扩展内部M / S处理的潜力，同时增加感知的深度，大小和纹理
- 输入部分带有立体声校正工具，例如M / S混合和L / R倾斜，可轻松快速地更改源材料的中，侧，左和右信息之间的平衡
- 平移部分具有两种复杂的算法，可以对单声道和立体声源进行精确的全景调整
- 有助于微妙或极端的立体声宽度增强，音色和创意频率调制效果的环境部分
- 经过感知优化和源相关的颜色模块，具有四个智能滤镜，可以对已处理的声音进行微调
- LFO模块具有两个LFO，它们可以创建从微妙的运动到狂野的调制效果的一切
- GUI包含虚拟舞台，可以直观地可视化和调整所有空间参数
- 创新的路由系统，可同时或分别监视湿信号和干信号
情人节快乐！！！
这是给MacOSX用户的礼物，所有插头不受PA-Layer保护：)
WiN: Team R2R | 13 November 2020 | 16.9 MB
MAC: Team R2R | 14 February 2019 | 18.1 MB
fiedler audio has a reputation for setting new standards. Two years after developing the revolutionary reverberation algorithm at the heart of Brainworx’s bx_rooms, they have once again redefined the world of acoustical enhancement with stage – a plugin that uses trailblazing stereo-spatial processing methods to take good mixes and masters, and make them great.
And The Stage Is Set!
Simply put, stage is here to give your mixes that final shine and depth you’ve heard on countless records, drawing out an inherent character you might not have even known your sounds possessed. By leveraging subtle delays, internal phase augmentation and modulation techniques, you can now effortlessly emphasize the natural depth and space of any natural recording or synthesized element. The result is an increase in overall definition and perceived size – all elusive qualities that in the end contribute to a type of sonic weight that will quickly become indispensable to your audio toolkit.
And just how is this possible? Under stage’s hood are mighty psychoacoustic algorithms that power the innovative panning and stereo alteration controls, giving engineers, sound designers, and electronic musicians the ability to sculpt their stereo image with minimal effort and maximum precision. Arrange your tracks from left to right, front to back or even diagonally if you like; enhance the ambience of your masters or go for wildly modulated effects. stage can do it all!
A New Level of Versatility in The Realm of Spatial Manipulation
Inside stage are four innovative modules that give you access to stereo widening techniques such as the Haas effect, phase inversion, M/S signal processing, and a number of proprietary algorithms that ensure that your signal’s natural ambience and stereophonic composition is brought to its maximum potential while retaining phase coherence and ensuring that the processed signal doesn’t collapse when in mono.
Starting with the Input section, the Tilt control provides a quick way to fix unbalanced stereo recordings while the M/S knob can easily adjust the ratio of mid to side content. From there, stage’s four key parameters – Pan, Width, Size and Feedback – provide an intuitive means of creating the kind of massive stereo images common in modern studio recordings. By changing these parameters, you can effectively utilize the three-dimensional characteristics of your sounds and either push them back or bring them forward in the mix. This can not only help you unmask the various regions of the frequency spectrum but also provide each individual element its own space in the mix.
Positioning individual tracks with precision and constructing flawless mixes without losing dynamic range has never been easier. Even stage’s default preset will instantly add substance and tactility to your music; try it! In addition to its panoramic enhancement duties are a wide range of creative effects like stereo flanging and rotary speaker effects, all of which are perfect for instruments or vocals. Use a high Size setting and crank up the Feedback parameter on guitars to get a vintage spring reverb vibe, or max out the LFO and send your sounds into outer space!
Visually Stunning Interface
stage also features an interface that is easy on the eyes and provides real-time visual feedback for your parameter adjustments. As you tweak the settings, two animated fields within the plugin window visualize the changes that are being made – don’t just hear the difference; see it too! For those who demand a more tactile approach to mixing, the GUI has also been optimized for use with touch screens––no more fiddling around with tiny knobs and error-prone buttons that require the use of a mouse!
► FEATURES
- Versatile acoustical enhancement for a large variety of sources – from single tracks to full mixes
- Remarkable stereophonic augmentation that expands the potential of internal M/S processing while increasing perceived depth, size and texture
- Input section, with stereo corrective tools like M/S blend and L/R tilt, easily and quickly changes the balance between mid, side, left and right information of the source material
- Pan section with two sophisticated algorithms that allow for accurate panoramic adjustment of mono and stereo sources
- Ambience section that facilitates subtle or extreme stereo width enhancement, tone coloration, and creative frequency modulation effects
- Perceptually optimized and source-dependent Colour module that features four intelligent filters for fine tuning the processed sound
- LFO module features two LFOs that can create anything from subtle motion to wild modulation effects
- GUI contains a virtual soundstage to intuitively visualize and adjust all spatial parameters
- An innovative routing system that allows for the wet and dry signals to be monitored either in tandem or separately
