Samplecraze Compressing Roland TR 808 Kick Drums [TUTORiAL]

奇妙 2020年10月31日| 94兆字节

了解和探索Roland TR 808底鼓压缩技术。

压缩Roland TR 808踢鼓视频教程介绍了如何使用各种压缩机拓扑压缩Roland TR 808踢鼓。

自Roland发布TR 808的那一天起，Hip Hop开始发展，我们的生产商一直在寻找定制和塑造低音鼓以适应我们需求的方法。用TR 808踢鼓创造出具有特色的声音非常困难，因为每个节拍制作者和制作人都以多种方式处理了这种声音，从而难以实现独创性和独特性。但是，我们现在拥有功能强大的DAW，它具有各种处理工具，并且一种经得起时间考验的工具，对于塑造传奇的脚鼓即压缩机绝对是完美的选择。
但是，我们正在努力实现什么？是为了难以捉摸的“反弹”因子，还是要缩小动态范围，以便为808提供更一致的音量，以便可以通过混音进行切换？

我将在本教程中解决这两种情况。

但首先，让我们定义反弹因子以及为什么它在嘻哈音乐中如此重要。

TR 808弹跳
如何定义弹跳？跳动是一个动态事件。它是从零到峰值，维持和释放的运动。尽管将反弹视为信封是正确的，但实际上不仅仅如此。包络线表示一种形状，但是触发包络线的速度即速度是反弹所不可或缺的。这意味着我们可以有一个速度包络，表示幅度包络是如何触发的。

在考虑弹跳时，时间也是一个因素。您可以通过使用较晚或较早的音符来创建跳动感，但这需要多个音符才能提供参考。自动化可以通过使用凹凸自动化来制造反弹，但是有更好的宽带技术也可以产生同样好的效果。

但是，实现难以捉摸的反弹的一种好方法是使用压缩器，在本教程中，我将向您展示如何使用3种不同类型的压缩器来实现这种奇妙的纹理。

在Compressing Roland TR 808 Kick Drums视频中，我使用D16的Nepheton（一个Roland TR 808仿真器插件）生成了一个鼓拍序列。然后，我创建一个自动通道，该通道可以随时间控制808低音鼓的音高。我使用三种不同的压缩器来处理808低音鼓，并确保说明如何使用每个压缩器以及原因。我将向您展示如何通过使用压缩器的整形参数将我们的不同元素引入808低音鼓。我将说明不同的压缩器拓扑如何影响808低音鼓的整体声音。

本视频教程中使用的插件为：

D16的内弗顿
Slate Digital FG灰色
巴生头盔DC8C2
SSL X-ValveComp

该视频涵盖的主题是：

808底鼓特性
了解频率
亚音速
侧链
使用自动化
音高和滤波器控制
使用不同的压缩机
响应和瞬态
使用管/阀拓扑
了解谐波失真

FANTASTiC | 31 October 2020 | 94 MB

Understanding and exploring Roland TR 808 kick drum compression techniques.

Compressing Roland TR 808 Kick Drums video tutorial explains how to use various compressor topologies to compress Roland TR 808 kick drums.

Since the day Roland released the TR 808 and Hip Hop began to evolve we producers have looked for ways to customise and shape the bass drum to suit our needs. Creating a signature sound with the TR 808 kick drum is very difficult in that every beat-maker and producer has processed that sound in so many ways that originality and uniqueness are hard to achieve. However, we now have powerful DAWs with all manner of processing tools and one tool that has stood the test of time, and is absolutely perfect for shaping that legendary kick drum, is the compressor.
But what is it we are trying to achieve? Is it for the elusive ‘bounce’ factor or to narrow the dynamic range so as to afford the 808 a more consistent volume so that it can cut through a mix?

I tackle both scenarios in this tutorial.

But first of all, let’s define the bounce factor and why it is so important in Hip Hop music.

TR 808 bounce
How do we define bounce? Bounce is a dynamic event. It is the movement from zero to the peak, sustain, and release. Although it is correct to regard bounce as an envelope, it is actually more than that. An envelope denotes a shape but the speed at which the envelope is triggered, velocity, is integral to bounce. This means we can have a velocity envelope that denotes how the amplitude envelope is triggered.

Time is also a factor when considering bounce. You can create the perception of bounce by using late or early notes, but this would require more than one note in order to provide a reference. Automation can lend itself to creating bounces by using bump automation but there are better broadband techniques that yield equally good results.

However, a great way to achieve the elusive bounce is to use a compressor and in this tutorial, I show you how to achieve this wonderful texture using 3 different types of compressors.

In the Compressing Roland TR 808 Kick Drums video, I generate a drum beat sequence using D16’s Nepheton, a Roland TR 808 emulator plugin. I then create an automation lane that controls the pitch of the 808 bass drum over time. I use three different compressors to process the 808 bass drum making sure to explain how to use each compressor and why. I show you how to bring our different elements in the 808 bass drum just by using the compressor’s shaping parameters. I explain how the different compressor topologies affect the overall sound of the 808 bass drum.

Plugins used in this video tutorial are: