Samplecraze De-Esser What Is It And How Does It Work [TUTORiAL]

奇妙 2020年10月26日| 102兆字节

消声器–它是什么以及如何工作的是一个视频教程，解释了消声器是如何工作的以及如何使用它来处理声带录音中的干扰。

消声器在音频制作中至关重要，可用于驯服各种声音清晰度和有问题的高频。

生产人声的生产者面临的最大问题之一是沉默。稳定感指的是苛刻的辅音，主要是ess和eff，由于歌手的声音或声音太夸张而被夸大了（有时离麦克风太近可能会夸大清晰度）。麦克风毫不留情地拾起杂物，如果您不知道如何驯服这些鼻孔，将是一场噩梦。

消声器
驯服或控制沉默的过程称为“去精”，这很有意义，因为我们要进行的工作是去精，即去除或衰减。生产者经常会手动搜索干扰信号并使用音量自动衰减信号频率。但是，这可能会很耗时且很费力，在这些情况下，我们更喜欢使用专用的除草器。该除颤器专门设计用于处理声带录音中的噪音。

处理沉默的问题是试图精确定位它在人声波形中的位置。稳定性始终可以覆盖相当宽的频带，我经常将其从4 kHz一直处理到12 kHz。另外，您需要注意不要衰减太大，因为该过程可能会使寿命超出正在处理的频率范围：请记住，我们衰减的是频率范围，而不是个别频率。

即使是最佳的人声也可以表现出静默感。

如何使用除草剂
使用去噪器，我们首先需要指定要处理的频率范围，然后给我们两个参数。范围的开始和范围的结束。这称为带宽。选定范围后，我们需要使用阈值功能来确定我们希望除频器在哪一点开始衰减频率。然后，我们需要通过使用攻击和释放功能来确定除颤器的行为，最后需要确定我们希望将频率衰减多少。这通常称为缩小或范围调整。

在此视频中，我通过各种De-esser插件进行了女性演唱。我将说明什么是除草剂，其工作原理以及使用方法。我确保涵盖了除颤器可用的所有功能，并指导您进行正确的设置以成功消除女声。

该视频中使用的插件：

SSL Vocalstrip
FabFilter Pro DS
Toneboosters结核病

该视频涵盖的主题是：

什么是除草剂
Sibilance –它是什么以及如何控制它
驯服Plossives
录音中的咔嗒声
宽带和分离带
阈
筛选器
范围
侧链
攻击与释放
技巧和窍门

FANTASTiC | 26 October 2020 | 102 MB

De-esser – what is it and how does it work is a video tutorial explaining how a de-esser works and how to use it to treat sibilance in vocal recordings.

A de-esser is critical in audio production and is used to tame all manner of vocal sibilance and problematic high frequencies.

One of the biggest problems facing producers who process vocal takes is that of sibilance. Sibilance refers to the harsh consonants, notably ess and eff, that are exaggerated due to either the singer’s voice or delivery (sometimes getting too close to the microphone can exaggerate sibilance). The microphone is merciless in picking up sibilance and taming these nasties can be a nightmare if you don’t know how.

De-esser
The process of taming or controlling sibilance is called De-Essing which makes perfect sense as what we are trying to do is to de-ess, ie, remove the sss or attenuate it. Quite often the producer will manually search for sibilance and use volume automation to attenuate the sibilant frequencies. However, this can be time-consuming and quite laborious and in these instances, we prefer to use a dedicated de-esser. The de-esser is designed specifically to treat sibilance in vocal recordings.

The problem with treating sibilance is trying to locate exactly where it resides in the vocal waveform. Sibilance invariably can cover quite a wide band of frequencies and I have often treated them from 4 kHz all the way to 12 kHz. Additionally, you need to be careful not to attenuate too heavily as the process can suck the life out of the band of frequencies being processed: remember that we are attenuating a range of frequencies and not individual frequencies.

Even the best tracked vocals can exhibit sibilance.

How to use a de-esser
With a de-esser we need to first specify the range of frequencies we want to process and we are given two parameters to play with; the start of the range and the end of the range. This is referred to as the bandwidth. Once we have the range selected we need to use the threshold feature to determine at what point we want the de-esser to start to attenuate the frequencies. We then need to shape the behaviour of the de-esser by using the attack and release functions and finally we need to determine by what amount we want the frequencies attenuated; this is often referred to as reduction or range.

In this video I run a female vocal take through various de-esser plugins. I explain what a de-esser is, how it works and how to use it. I make sure to cover every feature available for a de-esser and I guide you through the proper settings to use to successfully de-ess female vocals.

Plugins used in this video: