SYNTHiC4TE | 2020年9月24日| 854兆字节
继续进行“ That’s Love”的最终混音,Matt Ross-Spang打破了他的艺术家混音控制器,为“ That’s Love”的曲目增添了个人风格。
在这一集中,Matt和Eli继续混合“ That’s Love”,将最后的细节与Matt的有机自动化方法联系在一起。
看看Matt Ross-Spang如何:
消除人声,并解释何时需要印刷黑胶唱片时可能会遇到的问题
Eli是否进行了最后的淡入淡出
解释他打印全分辨率文件和客户文件以供审核的过程
加入Matt Eli Ross-Spang,Eli“ Paperboy” Reed ,
田纳西州孟菲斯传奇山姆·菲利普斯唱片公司中的霍奇斯兄弟,肯·库默和《化妆舞会》,从头到尾都进行了令人难以置信的录制活动。仅在pureMix.net上
SYNTHiC4TE | 24 September 2020 | 854 MB
Continuing with the final mix of “That’s Love,” Matt Ross-Spang breaks out his artist mix controller to add his personal touch to the tracks of “That’s Love.”
In this episode, Matt and Eli continue mixing “That’s Love,” dialing in the final details with Matt’s organic approach to automation.
See how Matt Ross-Spang:
Talks through his approach to automation
Focuses on each individual instrument to make sure the essential moments are showcased
Explains phase issues that can occur when micing a Leslie cabinet
Works on the balance of the left and right sides of the mix
Automates reverb sends on individual elements of the mix
Discusses the benefits of having the client in the room and addressing their notes on the spot
De-esses vocals and explains the problems easing can have when the time comes to print the vinyl
Has Eli do the final fade-out
Explains his process for printing full resolution and client files for review
Join Matt Ross-Spang, Eli “Paperboy” Reed, The Hodges Brothers, Ken Coomer, and The
Masqueraders inside the legendary Sam Phillips Recording in Memphis, TN, for an incredible recording event, from Start To Finish. Only on pureMix.net