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Red Planet Piano的灵感来自安迪·威尔的电影《火星救援》。哈里·格雷森-威廉姆斯的配乐绝对令人惊叹,并激励我们创造了一个“外太空”版本的钢琴。Red Planet Piano与Gravitas Piano使用的有机样品池相同。但是为了得到那个特殊的“外太空”电吉他声音,我们创造了一些复杂的吉他声音。它们的设计是为了配合你需要唤起那种深度和空间的感觉而设计的。这一点,结合有机钢琴,创造了一个真正独特的声音。我们使用了非常有限的Ibanez JPM90HAM的琴颈拾音器和分裂线圈拾音器(single coil)位置的混合。一个完美的融合了单一线圈的声音,温暖深度。最初的录音是直接录制的,然后我们通过不同的放大器和fx信号链放大录音。
AUDIO IMPERIA’s “Klavier” is the first instrument in our new “Private Stock Instruments” series. Originally intended as a private sample library for a group of trailer composers, the two instruments in this series combine the very best of the worlds of raw/organic recordings and post-production/sound design. The goal throughout the whole project was to start with the user experience and the raw sound and to work our way backwards to a final product that is both versatile and instantly inspiring.
The “Red Planet Piano” was heavily inspired by the movie adaptation of Andy Weir’s “The Martian”. Harry Gregson-Williams’ score is absolutely amazing and inspired us to create an “outer space” version of the Klavier. The Red Planet Piano shares the same organic sample pool used for the Gravitas Piano. But to get that particular “outer space” electric guitar sound, we created a number of complex guitar sounds. They are designed to match that lush and wide sound that you need to evoke that feeling of depth and space. This, combined with the organic piano, creates a truly unique sound. We used a blend of the neck (humbucker) and the split-coil (single coil) position of the very limited Ibanez JPM90HAM. A perfect blend of the single coil twang and directness and the warmth and depth of the neck humbucker. The initial recordings were done direct and we then reamped the recordings through various amp and fx signal chains.